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About
the Show

SHOW SYNOPSIS:

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Act I

In Paris, in the year 1482, a company of actors emerges, intoning a Latin chant with the onstage Choir (Olim). The Congregation begins to recount a story (The Bells of Notre Dame): Dom Claude Frollo and his beloved brother Jehan were taken in as orphans by the priests of Notre Dame Cathedral. While Frollo thrived under the rules of the Church, fun-loving Jehan took up with Gypsies (Roma) and was expelled. Many years passed until one day now-Archdeacon Frollo was summoned to his estranged brother’s deathbed. Jehan’s dying wish was for his brother to care for his Romani baby. Grief-stricken, Frollo agreed and kept the child, whom he named “Quasimodo” for his non-normative features, secluded in the cathedral bell tower for many years...

Now grown, Quasimodo is the lonely bell-ringer at Notre Dame, physically strong but partially deaf from the bells, and staunchly obedient to Frollo, his uncle and master. Frollo continues to offer him safety within the cathedral (Sanctuary), but Quasimodo longs to be part of the world (Out There). Encouraged by his inner voices – his “friends,” Notre Dame’s stone Statues and Gargoyles – Quasimodo sneaks out of the tower to attend the Feast of Fools, a day when all of Paris indulges in debauched celebration. In the square, Clopin, King of the Gypsies, leads the festivities (Topsy Turvy – Part 1). Captain Phoebus

de Martin arrives from the battlefront to take command of the Cathedral Guard – after a little holiday (Rest and Recreation) – but he runs into Frollo and finds himself assuming his new positon earlier than expected. Both men are instantly captivated by the dancing Esmeralda, a young Romani woman, as is Quasimodo, peering at her from the shadows (Rhythm of the Tambourine). The crowd then gathers to select and crown the King of Fools, the ugliest person in Paris. After her initial shock at his appearance, Esmeralda warmly encourages Quasimodo to step up for the honor (Topsy Turvy – Part 2). But the drunken crowd brutally abuses Quasimodo while Frollo looks on in cold silence. Esmeralda alone shows kindness to the bell-ringer and rescues him before she disappears from the enraged mob in a flash of smoke. Frollo then steps forward to chasten Quasimodo, who promises he will never again leave the bell tower (Sanctuary II).

Concerned for Quasimodo, Esmeralda ventures into the cathedral (The Bells of Notre Dame – Reprise), offering a different prayer from the other Parishioners (God Help the Outcasts). Phoebus happens upon her, and there is a palpable spark between them. Then, Esmeralda sees Quasimodo and follows him to the bell tower (Transition to the Bell Tower). Quasimodo shows Esmeralda his view of Paris (Top of the World) while his “friends” attempt to deal with her presence. Frollo arrives and discovers them. Taken with Esmeralda, he offers her sanctuary in the cathedral under his tutelage and protection, but she refuses.

As his obsession with Esmeralda grows, Frollo begins prowling the streets at night, until he comes upon a tavern where the Gypsies spiritedly sing and dance (Tavern Song – Thai Mol Piyas). He sees Phoebus with Esmeralda, and watches in turmoil as their flirtation escalates to a kiss. Back in the bell tower, Quasimodo remains infatuated by Esmeralda’s kindness (Heaven’s Light). Meanwhile, Frollo convinces himself that Esmeralda is a demon sent to tempt his very soul (Hellfire).

The next morning, Frollo convinces King Louis XI to put out a warrant for Esmeralda’s arrest, and a search commences. Frollo targets a brothel known to harbor Gypsies (Esmeralda – Act 1 Finale). When Phoebus refuses a direct order to burn it down, Frollo has him arrested. Esmeralda appears to try to save Phoebus, and in the ensuing confusion, Frollo stabs Phoebus and blames her. Esmeralda and Phoebus escape, and Frollo continues the hunt while an increasingly distraught Quasimodo watches the burning chaos from above.

 

Act II

The Choir opens with a Latin Entr’acte. In the bell tower, Esmeralda implores Quasimodo to hide the wounded Phoebus until he regains his strength (Agnus Dei). Quasimodo agrees, and she offers him an amulet that will lead him to where she hides – the Gypsies’ mysterious Court of Miracles. Prompted by an encounter with a statue of Saint Aphrodisius, Quasimodo envisions himself as Esmeralda’s protector (Flight into Egypt). But Frollo arrives to tell Quasimodo that he knows the location of the Roma’s hideaway and that his soldiers will attack at dawn (Esmeralda – Reprise). Quasimodo and the injured Phoebus use the amulet to find Esmeralda before Frollo does (Rest and Recreation – Reprise).

Arriving at the secret lair, Phoebus and Quasimodo are captured by Clopin and the Gypsies, who sentence them to death (The Court of Miracles). Esmeralda intervenes, and the two men warn of Frollo’s impending attack. As the Gypsies prepare to flee, Phoebus decides to go with Esmeralda. She consents and matches his commitment to a life together while Quasimodo watches, heartbroken (In a Place of Miracles). Having tricked Quasimodo into leading him to Esmeralda, Frollo storms in with his soldiers, arrests Esmeralda and Phoebus, and sends his ward back to the bell tower (The Bells of Notre Dame – Reprise II).

In the prison, Frollo confesses his love to Esmeralda and forces himself on her (The Assault). When Esmeralda fights him off, Frollo threatens Phoebus’s life unless she yields to him, and he has Phoebus brought into her cell as an inducement. Esmeralda and Phoebus spend their final doomed night together hoping for a better world (Someday).

Meanwhile, a devastated Quasimodo, now bound in the bell tower (While the City Slumbered), refuses the entreaties of his “friends” to save Esmeralda (Made of Stone).

In the square the next morning, a captive Phoebus watches as Esmeralda is tied to a wooden stake (Judex Crederis, Kyrie Eleison). Frollo again offers to save her if she will be his. Esmeralda spits in his face, and enraged, Frollo lights the pyre himself. Witnessing the horror from above, Quasimodo is galvanized into action; breaking free of his bonds, he swoops down to free Esmeralda, claiming “Sanctuary!” for her. He bars the doors of Notre Dame and returns her to safety in his tower. Violence breaks out in the square

as Clopin frees Phoebus and together they rally the crowd against Frollo. When the soldiers break down the doors and are about to enter, Quasimodo pours molten lead down on them. Quasimodo returns
to Esmeralda, thinking he has saved her, but she dies in his arms (Top of the World – Reprise). Frollo enters and tries to persuade the grieving bell ringer that they can now return to the way they were, but Quasimodo finally sees the archdeacon for the monster he has become and throws him from the tower to his death (Esmeralda – Frollo Reprise). Phoebus arrives and collapses on Esmeralda’s body in grief. Quasimodo comforts him then picks up Esmeralda and carries her into the square, where the crowd, gathered to mourn, sees the bell-ringer in a new light (Finale Ultimo).

Original Production Team

Alan Menken (Music)

Stage musicals: God Bless You, Mr. Rosewater; Little Shop of Horrors; Beauty and the Beast; A Christmas Carol; The Little Mermaid; Sister Act; Leap of Faith; Newsies; Aladdin; Der Glöckner von Notre Dame; The Apprenticeship of Duddy Kravitz; and A Bronx Tale. Film work: The Little Mermaid, Beauty and the Beast (animated and live action films), Newsies, Aladdin (animated and live action), Pocahontas, The Hunchback of Notre Dame, Hercules, Enchanted, Tangled, and Sausage Party. Television: Sesame Street, Lincoln, The Neighbors, Galavant, and Tangled. Awards: 2012 Tony Award®, Drama Desk Award, 8 Academy Awards®, 11 GRAMMY® Awards, 7 Golden Globes, London’s Evening Standard Award, Olivier Award, and Outer Critics Circle Award. Other: Songwriters Hall of Fame, Billboard #1 single and album, Disney Legend, and star on Hollywood Walk of Fame. Doctorates from NYU and the North Carolina School of the Arts.

Peter Parnell (Book)

Stage: Dada Woof Papa Hot (Lincoln Center Theater Company); the new book for the Broadway revival of Lerner and Lane’s On a Clear Day You Can See Forever starring Harry Connick, Jr. and Jessie Mueller; Trumpery (Atlantic Theater Company), QED starring Alan Alda (Mark Taper Forum, Lincoln Center Theater – Broadway), and a stage adaptation of John Irving’s The Cider House Rules (American Theatre Critics Association Award). Television: a co-producer for The West Wing (two Emmy® Award citations) and producer for a number of TV series, including the Amazon series The Last Tycoon. Books: And Tango Makes Three, co-authored with Justin Richardson.

Stephen Schwartz (Lyrics)

Music and/or lyrics for theater: Godspell, Pippin, The Magic Show, The Baker’s Wife, Rags, Children of Eden, and Wicked. Films: Pocahontas, The Hunchback of Notre Dame, and Enchanted, all in collaboration with Alan Menken; and The Prince of Egypt. Opera: Séance on a Wet Afternoon. Artistic Director of ASCAP Musical Theatre Workshops. Awards and honors include Theater Hall of Fame, Songwriters Hall
of Fame, Hollywood Walk of Fame, three Academy Awards®, four GRAMMY® Awards, four Drama Desk Awards. Biography: Defying Gravity (Applause Books). www.stephenschwartz.com

Scott Schwartz (Original Direction)

Directed the U.S. premiere of The Hunchback of Notre Dame at La Jolla Playhouse and Paper Mill Playhouse and subsequently in Tokyo and Berlin. Broadway: Golda’s Balcony and Jane Eyre (co-directed with John Caird). Off-Broadway: Murder for Two, Bat Boy (Lortel and Outer Critics Circle awards, Outstanding Off-Broadway Musical; Drama Desk nomination, Outstanding Director), Tick, Tick...Boom! (Outer Critics Circle Award, Outstanding Off-Broadway Musical; Drama Desk nomination, Outstanding Director), The Foreigner, Rooms, The Castle, and No Way to Treat a Lady. New York City Opera: Séance on a Wet Afternoon. Regional theaters: ACT Theatre, Alley Theatre, Alliance Theatre, Dallas Theater Center, Denver Center for the Performing Arts, Goodspeed Musicals, La Jolla Playhouse, Old Globe Theatre, Philadelphia Theatre Company, Signature Theatre, Westport Country Playhouse. Artistic director at Bay Street Theater, graduate of Harvard University.

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